Archive for November, 2009

Words from a student

Nov. 30th 2009


Wavicles

By Greg Arney11. November 2009 18:04

My first guitar teacher at college, Lauren Passarelli, taught me a number of things that I am still learning years after the fact.

After carefully eyeing my picking hand, she faulted it for being inflexible. She prescribed several pieces which made use of the floating, string-skipping picking hand that is necessary for versatility and large leaps. A natural skeptic, I wondered if the effort of changing my technique was worth it, or if the “setback” would somehow slow me down. Many musicians, particularly those who have achieved some level of comfort with a playing style, are reluctant to try new techniques, fearing that it will render their current technique worthless. Months later, I discovered the problem on my own – and returned to her prescription. Now, years later, I am happy to say I have conquered this difficulty. However, I do face many more. I have a bad habit of practicing within my “comfort zone”, even though I am fully aware that two hours of discomfort is probably more effective than 8 hours of comfort.

My current goal is to lay out all of the techniques and concepts that I really don’t want to work on, things that make me feel uncomfortable or weak, and practice them relentlessly, going so far as to forbid any familiar activity for the duration of four weeks. If my playing is significantly changed in that time, I will know I have found another keystone on my path to mastery.

Lauren taught me another important lesson. My usual attitude as a student was that I must push as hard as I can against the wall. Occasionally, I would express my patient frustration to teachers and mentors. Having a need to organize the Universe, I told Lauren that I knew I would get X good if I practiced X amount of hours. For those of us who train ourselves to have high expectations and work hard to achieve them, we tend to want others to validate this view, even going so far as to expect that anyone we respect or admire will share this method. However, Lauren’s response shocked me. She said that it wasn’t the amount of time spent practicing or even how badly I wanted mastery. She told me that if I focus and have the right mindset, these things will find me, instead. The conversation took a turn into quantum physics, and we talked about ever-fascinating concept that light can be constrained as both a wave and a particle, and the view among many physicists that the expectations of the observer can affect the outcome of the observed. She called this a “wavicle”, and when we parted for that lesson (which was one of our last), she left me with this: “Control the wavicles!”


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7 Thoughts on Teaching and Learning Guitar

Nov. 2nd 2009

Knowledge speaks, wisdom listens.

When I listen, I can hear whether my students are ready to absorb what I have to offer. First I need to know they believe in their ability and, at the same time, that they’re willing to work on their weaknesses.

My students know they are accountable for their own greatness. I always encourage them to care about their own development and realize that they are their own best teachers. The real growth begins at the crossroads where my teaching style intersects with the student’s learning style.

Here are 7 thoughts on teaching and learning guitar.

1. Record your playing, and listen. You have to know how you really sound; how well you play in tune and in time, and how cleanly.

2. Pay attention to detail. A player’s expressiveness comes across in the subtleties. Be aware and be accurate in every note you play.

3. Listen to and imitate great players. You didn’t learn how to speak a language without listening to how the language sounds. Trying to create music without listening to how many fabulous players have done it before you is like having to rediscover electricity every time you want to turn on a light. I often imagine I am one of my favorite players, writers, engineers, arrangers or producers and ask myself, What would they do here? How would they play it, write it, fix it?

4. Learn how to make a cool noise. You develop your own sound by learning how to speak — and by living a life so you have have something to say. The more ability and sounds you can confidently add to your playing, the more range your voice will have.

5. Save all recordings and videos. You can see and hear your own progress as the years go by. They’re like photographs to look back on. Not only is it fun and interesting in retrospect, but you gain perspective and compassion for your eager, creative self.

6. Explore. Give yourself permission to play and write anything that feels good to you. Experiment. Personally, I write in many keys and in many tunings. I love capos because you can get open strings in any key. When I write I don’t think about harmony or theory — I allow my ear and my heart to choose where my fingers go. I analyze it later. I love harmony and many colors & interesting voicings. Your compositions will sound less like “guitar songs” when you have more ability & guitar voicing choices to choose from.

7. Respect the muse. When I’m trying to figure out what’s right for a song, the answers always come if I’m patient and listening well. I treat the song like its own entity: What do you need now? Is this the right bass line for you? What would be better? You have to respect the muse. I also record every idea I want to remember, whether it’s on my phone or on my laptop — whatever it takes to recall the spark. If I don’t have time to develop it in that moment, at least the idea is preserved so I can hear it again with the energy and magic from when it first came.

Lauren Passarelli is a Guitar Professor at Berklee College of Music. She’s also a multi-instrumentalist, performing songwriter and recording engineer.

7 Thoughts on Teaching and Learning Guitar

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