Words from a student

Nov. 30th 2009


Wavicles

By Greg Arney11. November 2009 18:04

My first guitar teacher at college, Lauren Passarelli, taught me a number of things that I am still learning years after the fact.

After carefully eyeing my picking hand, she faulted it for being inflexible. She prescribed several pieces which made use of the floating, string-skipping picking hand that is necessary for versatility and large leaps. A natural skeptic, I wondered if the effort of changing my technique was worth it, or if the “setback” would somehow slow me down. Many musicians, particularly those who have achieved some level of comfort with a playing style, are reluctant to try new techniques, fearing that it will render their current technique worthless. Months later, I discovered the problem on my own – and returned to her prescription. Now, years later, I am happy to say I have conquered this difficulty. However, I do face many more. I have a bad habit of practicing within my “comfort zone”, even though I am fully aware that two hours of discomfort is probably more effective than 8 hours of comfort.

My current goal is to lay out all of the techniques and concepts that I really don’t want to work on, things that make me feel uncomfortable or weak, and practice them relentlessly, going so far as to forbid any familiar activity for the duration of four weeks. If my playing is significantly changed in that time, I will know I have found another keystone on my path to mastery.

Lauren taught me another important lesson. My usual attitude as a student was that I must push as hard as I can against the wall. Occasionally, I would express my patient frustration to teachers and mentors. Having a need to organize the Universe, I told Lauren that I knew I would get X good if I practiced X amount of hours. For those of us who train ourselves to have high expectations and work hard to achieve them, we tend to want others to validate this view, even going so far as to expect that anyone we respect or admire will share this method. However, Lauren’s response shocked me. She said that it wasn’t the amount of time spent practicing or even how badly I wanted mastery. She told me that if I focus and have the right mindset, these things will find me, instead. The conversation took a turn into quantum physics, and we talked about ever-fascinating concept that light can be constrained as both a wave and a particle, and the view among many physicists that the expectations of the observer can affect the outcome of the observed. She called this a “wavicle”, and when we parted for that lesson (which was one of our last), she left me with this: “Control the wavicles!”


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Guitar Players & Nail Care

Jun. 14th 2009


I love playing with a pick. I love playing with pick & fingers & I love finger picking. They give me different sounds & feels & ability to create the guitar parts I want to play. Whether it’s steel string or nylon eventually with much playing comes much wearing down of the nails. Here’s what I’ve been experimenting with over the years & a great guitarist’s nail article that gets into it all.

James Taylor told me about his use of nail wraps so that’s what I used for years. It’s a great warm sound that I love & it sounds like his guitar sound. In fact he’s taping a DVD where he’ll teach how he plays nine of his songs & he asked me for my opinion. I asked him to include a special feature section where he’ll show us his nail care & how he applies & takes care of his nail wraps. He puts on a layer of glue & then a nail wrap & after it dries & he trims it he does it twice again so that he has 3 layers. There are 3 kinds of wraps: silk, fiber glass & nylon.
Classical players use ping balls & glue a piece of the ball under their remaining nail. I haven’t tried this yet.
I love the sound I get with guitar player nails. They send you pieces of flat, plastic material & you cut & shape & trim & file & glue. And the thickness of the nail is set. With the wraps & the gel you create that thickness for each nail yourself.
There are Gel Nails, nothing harder, super tough & resilient. I bought this kit from Germany called, Power Nails. I love the sound of these as well & I liked not using nail or crazy glue. Turns out this nail product is Pat Metheny’s favorite. I know JT was sent this Power Nail kit but I don’t know if he ever tried the gel nails & if he liked them. You can buy some gel products on line & there are videos on you tube that better show how to extend the gel & be a nail when yours is to short. But I found that glue & gel seriously weaken your nail underneath. They get so soft & breakable.
There’s also Rico Nails where you use non toxic adhesives & surgical tape for extra support and when you’re done playing you can easily remove them without hurting your nails. You can just put them on to play & take them off when you’re done. They are a thinner material consequently a thinner, brighter guitar sound for me.
I use thin strings & prefer thicker guitar picks about 1.5mm but not necessarily super thick finger nails. I may try adhesive with the guitar player nails next!
Many players don’t bother with their nails at all. They just use their finger tips. I have been trying to prefer this for about a month now. Just for the ease of it & nothing toxic. But I don’t like how the strings feel or respond to me & I don’t prefer the sound.
What’s a guitarist to do?
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12/22/09 added new discovery
in a few months your nails do recover from the softening breaking effects of nail glue, crazy glue & nail gel…
Master guitarist, Lou Arnold bought me a bottle of


Onymyrrhe Natural Nail Growth Accelerator & that’s an amazing healthy product for nails.

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